SOCIETY OF ARCHITECTURAL HISTORIANS

SOUTHERN CALIFORNIA CHAPTER

Wilshire Boulevard Temple and the Warner Murals: Celebrating 150 Years

by Tom Teicholz ; photography by Tom Bonner

Although this book was released in 2013, because of SAH/SCC’s lovely Members’ Celebration at Wilshire Boulevard Temple last year—and because the book, like the restoration, is absolutely stunning—we’re reviewing it now.

This is a rich historical document of the story of Jewish worship in Los Angeles that follows the impressive congregation (including many Hollywood moguls—then and now) on its journey to the perfect home. An early chapter chronicles the beginnings, when services were held at the rabbi’s home, and continues through the building of Wilshire Boulevard Temple (Abraham A. Adelman, S. Tilden Norton, David C. Allison, 1929), and the congregation’s official name change in 1937 to match that of the building. Succeeding chapters discuss the spiritual, civic, and political role of the temple in LA Jewish life.

In the late 1920s, Rabbi Edgar F. Magnin spearheaded the new building, which would move the then 67-year-old Congregation B’nai B’rith from downtown LA (Ninth and Hope Streets Temple, A.M. Edelman, 1896) to mid-Wilshire. Because of his prescient observation that “a society whose attention was increasingly fractured and beset by modernity would become increasingly visual-centric and image driven,” we have the remarkable Warner Murals by Hugo Ballin.

For art and architecture fans, in particular, the chapters interspersed are a real treat. Sumptuous, bronze-edged pages are filled with contemporary photographs by noted architectural photographer Tom Bonner. These include extreme close-ups of the legendary murals, without which, the author acknowledges he “could not have written about the Warner Murals in the detail that I have.”

There is much emphasis on the murals in the book, as they are epic in scale and depiction, and connect “the congregants to the Jewish people’s history and tradition and to their sad, poetic, and yet triumphant procession from the biblical era to their arrival in the New World.” In the center of the book, a spread of thebimahopens to a double gatefold—as a rabbi would open the ark—to reveal a 360-degree view of the murals. There’s even a reproduction of Ballin’s original contract with the Temple ($25,000, plus 10% of contractor’s fees).

Ten years after the 1998 opening of a popular westside campus, the Wilshire building showed its neglect when a large piece of plaster fell from the ceiling. This prompted the restoration, which got underway after three years of planning and fundraising. Levin & Associates was hired as the architect, having conducted successful restorations of the Bradbury Building, Wiltern Theater, and Griffith Observatory, among other LA landmarks. “Every aspect of the building suffered from deferred maintenance,” noted Brenda Levin, FAIA, upon first inspection.

Levin writes a personal essay in the book—“Wilshire Boulevard Temple: From the Heart”—that details the 10+ years of work, from initial surveys to final construction. She discusses the process and complexity of historic restoration and shows photos of conservators and specialists working on valued details. “I cannot describe,” she concludes, “as either a congregant or as an architect with three decades of architectural practice, the profound personal significance and sense of pride I feel as we complete the restoration of Wilshire Boulevard Temple. I can only say that this has been a blessing that will be with me all my days.”

Thanks to this richly illustrated and deeply researched book, the story is available to us for the rest of our days.

“ORO Editions; hardcover; 180 pages; $36.

Svetlana Petrović

Working in support of SAH/SCC for more than twenty years, Svetlana is an art director and graphic designer living and working between Los Angeles, California and Belgrade, Serbia. She designs our quarterly newsletter and is also responsible for our beautiful new website which was created by her and her partner’s design and build agency, CATCH ME CREATIVE.

Agnie Agostino

Angie Agostino, the owner of AgostinoCreative, has been working in the multimedia industry providing graphic design, photography, social media and interactive projects for over 20 years. She has also teamed up with author Jeffrey Crider and the two of them have published several books focusing on the history of various cities in the southern California region — many, of which, have recently been added to the Library of Congress.

Julie D. Taylor, Hon. AIA

Julie is Founder/Principal of Taylor & Company, a company providing public relations and marketing services to professionals and organizations involved in architecture, design, and furnishings. A self-described “design evangelist,” she has written three books including Spa: The Sensuous Experience (2006); Bars, Pubs, and Cafes (2000); and Outdoor Rooms (1999), in addition to countless articles on design, architecture, marketing, and art. Julie has been editor of SAH/SCC News since 1998, and was the West Coast correspondent for ArchNewsNow.com. She is a frequent guest lecturer on marketing architectural services at conferences and universities. Julie is on the advisory board of USModernist, and was the co-founderof CANstruction LA. She was given honorary AIA/LA membership in December 2007 and received an Allied Professions Achievement Honor from AIA California Council in 2012. Julie was the 2014-2016 Public Director on the National AIA Board of Directors and was granted national honorary AIA status in 2018.

Lilian Pfaff

Lilian Pfaff, Ph.D. is an award-winning author, educator, curator, and real estate agent at MODERN CALIFORNIA HOUSE. She earned her Master in Art History from University of Hamburg, her Master of Advanced Studies in Architectural Theory from ETH Zuerich and her Ph.D. in Architecture History from the University of Zuerich. She is the author of J.R. Davidson (Birkhauser, 2019), Escher GuneWardena (Birkhauser, 2017), and numerous other books and articles. She is a member of the adjunct faculty at Cal Poly Pomona, Pasadena City College and Woodbury University—teaching architectural history and theory. She is a board member of the HPOZ Board Highland Park – Garvanza.

David Coffey

David Coffey is the owner of Richard Neutra’s Davis House (1937) in Bakersfield, CA, as well as the steward/caretaker of Frank Lloyd Wright’s Ablin House (1959). He has curated and produced multiple historical architecture events in Bakersfield, including “Masters of Modernism: Neutra & Wright in Bakersfield” with SAH/SCC’s Sian Winship in October 2009, and “Bakersfield Built: 1930s” in conjunction with CSUB’s celebration of the 75th anniversary of the publication of John Steinbeck’s The Grapes of Wrath.  Other programs with the Bakersfield Museum of Art, CSUB Library Special Collections Department, and the Kern County Museum to curate and produce “Bakersfield Built: 1960s” in September of 2019 and Bakersfield Built the 1950’s in September of 2024. He is working with the University of Uruguay in Montevideo on ongoing programs promoting the rich modernist building in Uruguay titled Montevideo Modernism.  He is a board member of the Bakersfield Museum of Art and is currently on its Exhibition Committee. David grew up in Cincinnati, OH, and graduated from the University of Cincinnati College Conservatory of Music with a BA in electronic media.

Jean Baaden

As a member of the SAH/SCC Board for the past twenty eight years, Sian Winship has created numerous educational programs celebrating modern residential architecture in Southern California and across the country. In 2011, Sian earned her Masters of Historic Preservation (MHP) from USC. Sian is the author of the award-winning Japanese American Context and Women’s Right’s Context for SurveyLA. She has also authored a number of successful National Register nominations including the Bakersfield Woman’s Club, A.Q. Jones Residence #3, the St. Vincent Seminary Historic District. She has researched and written historic context statements for Ventura, Bakersfield, Paramount, and was the principal author of the award-winning Long Beach Suburbanization and Race Context Statement. She is also on the board of the Neutra Institute for Survival Through Design. She is an adjunct professor in the Heritage Conservation Program at USC.

Brent Eckerman

Internet Editor

Brent Eckerman is an architect who has worked in Los Angeles for the past forty-one years. He received his architectural degree from Cal Poly Pomona. During his career, he spent many years as a Senior Associate at Frederick Fisher and Partners in Los Angeles. He currently works for the City of Los Angeles, at the Bureau of Engineering. He has an interest in Modern Architecture and particularly in Mid-Century Modernism. Brent also has a strong background in computer technology and acted as the driving force behind the SAH/SCC Website. 

Rina Rubenstien

Membership

Rina Rubenstein’s family came to Los Angeles a century ago. Her father, a landscaper who took her to his construction sites including UCLA, JPL, & Century City, instilled in her a strong connection with the built environment of Southern California. After high school, Rina moved to Israel to work on a kibbutz, milking cows and weeding cotton. While studying Biblical Archaeology & Classical Art History at the Hebrew University in Jerusalem, she worked summers on excavations and winters in the Israel Museum. Since then, she has held mostly library and information management positions. Rina was Treasurer of a SAH/SCC for several years. She lives in a 1913 Craftsman home in West Adams, where she’s active in neighborhood affairs. 

John Berley

Treasurer

John Berley has been a Board Member since 1994 and was President of the SAH/SCC from 1996 to 1999. He is a former Senior Associate at Frederick Fisher and Partners, Architects and for 14 years served as a Landmarks Commissioner for the City of Santa Monica (2003-2017). John has been responsible for rehabilitation projects including the Annenberg Community Beach House (2009), Grand Central Air Terminal (Henry Gogerty, 1930), as well as the Sunnylands Center and Gardens in Rancho Mirage.  Over the years, John has created such memorable SAH/SCC programs as On Parallel Lines: The Sarasota School of Architecture and the Case Study House Program; Creative Space: Architects Offices, and Beyond the Bauhaus: The Legacy of Walter Gropius in Boston. He is also the leader of the ongoing Modern Patrons series, which offers thoughtful dialogue with homeowners who commissioned the modern masters. Additionally, He has written on the early influence of Irving Gill, A. Quincy Jones, and the Post-War development of Modern Architecture in America.

Jay Platt

Vice President

Jay Platt is the Principal Planner for Historic Preservation with the City of Glendale Community Development Department. He is also an Adjunct Associate Professor in the Heritage Conservation program at USC.  Over the last thirty years, Jay has served in various roles in the public, private, non-profit, and education sectors in New York City, Philadelphia, and his hometown, Los Angeles.  And, most days, he’s still into it!  He received his undergraduate degree from UCLA and an M.S. in Historic Preservation from the University of Pennsylvania.  He and his wife Kathleen enjoy life in Eagle Rock with a couple of amusing beagles.

Sian Winship

President

As a member of the SAH/SCC Board for the past twenty eight years, Sian Winship has created numerous educational programs celebrating modern residential architecture in Southern California and across the country. In 2011, Sian earned her Masters of Historic Preservation (MHP) from USC. Sian is the author of the award-winning Japanese American Context and Women’s Right’s Context for SurveyLA. She has also authored a number of successful National Register nominations including the Bakersfield Woman’s Club, A.Q. Jones Residence #3, the St. Vincent Seminary Historic District. She has researched and written historic context statements for Ventura, Bakersfield, Paramount, and was the principal author of the award-winning Long Beach Suburbanization and Race Context Statement. She is also on the board of the Neutra Institute for Survival Through Design. She is an adjunct professor in the Heritage Conservation Program at USC.